
Mission:
Impossible 3




I
don’t know if I’m the only person going through this, but
I’m beginning to feel as if I’m some kind of magnet for excessive
displays of gross stupidity. There was a woman in the southtowns
some days ago who clipped my car while yammering away on her
cell phone. During the obligatory pullover, her insincere
apology was met with a donkey dinner (see also good old
fashioned ass-chewing). A couple of weeks ago,
there was a mousy Arby’s employee who beat the crap out of
my chicken sandwich as she tried to get it though the little
door before dropping it between the drive thru window and
my car. Let’s not forget the bible-thumping mongoloid who
insisted on reading the bible aloud in a restaurant, when
all I wanted was a peaceful meal. Me and my unwarranted sense
of entitlement.
Perhaps
my breaking point came that much closer when I accidentally
caught “TRL” on MTV (OMG!). Admittedly I wasn’t there to witness
this hellish event firsthand, but I couldn’t have been more
horrified if I was there in person. Longtime friend of The
BEAST and Hollywood superstar Tom Cruise was on the show mugging
and plugging for Mission: Impossible 3. During his
visit he went into high energy berserker mode, freaked out
some firefighters into letting him hitch a ride on a fire
truck and tried to make friends with Kanye West. West looked
straight ahead in blessed ignorance as Cruise howled, “see
you in Harlem, brother!”
Yeah.
That’s good soup.
The
reason I bring all this up is because it proved to me that
this stupidity I’m trying to dodge is not exclusive to this
area. This gave me a minor sense of relief, but I was now
aware of the problem’s scope. It all came full circle as I
watched Mission: Impossible 3, and I am now even more
aware what a great actor Tom Cruise actually is.
Over
the past year or so, Cruise has either entered the late stages
of dementia or is trying to come across as such to control
Hollywood through a tight grip of fear. Picking fights with
Matt Lauer, Brooke Shields, and meanspirited alternative newspapers
as he carries on like an A-hole on Oprah, while allegedly
knocking up impressionably desperate third-string toddlers
pretty much sums up his personal resume lately. At this rate,
I wouldn’t be surprised if Cruise was found serving cups of
his own urine after stealing a kids’ lemonade stand in a UPS
uniform while singing ELO songs.
Oddly
enough, Cruise reprises his role as super-spy extraordinaire
Ethan Hunt, who has to stop a megalomaniacal lunatic from…
I don’t know, doing something really bad. But Cruise doesn’t
let his apparent madness bleed over into non-real life. The
plot of Mission: Impossible 3 is essentially a rehash
of the second installment except John Woo’s direction is replaced
by that of J.J. Abrams of “Alias” fame, whose capabilities
include making Jennifer Garner look like a human being. So
yeah, I see why he was picked up. The whole thing is basically
a downgrade—a C-list director and a C-list leading lady (Keri
Russell) to go along with his C-list baby momma. Sorry. I’m
doing it again.
The
only saving grace of Mission: Impossible 3 is Phillip
Seymour Hoffman as the bad guy. He obviously signed on to
this stinker before he got the Oscar, kind of the same way
that Jaime Foxx must have done Stealth before Ray.
But if nothing else, Hoffman does a great Tom Cruise imitation—you’ll
swear you can hear the neurons misfiring as he recites his
uninteresting dialogue between drawn out car chases and contrived
gunfights in exotic locales. Let’s not forget the lackluster
subplot involving a droll engagement.
The
first two Mission: Impossible movies were kind of interesting
in the sense that they were different types of movies from
each other. The original being an almost Hitchcockian mystery
sprinkled with some action and the second being a balls-out
action flick. This third one is more like drinking flat pop
with leftover Chinese food that wasn’t done quite right and
you’re only eating because payday’s still a few days off.
While you’re watching reruns on TV.
Mission:
Impossible 3 rings in the official start of the summer
movie season. For the next four months you can expect to see
half-assed comedies and the same action sequences over and
over. The only mental stimulation you can hope to pay for
during the summer months is from a hooker who happens to belong
to MENSA. The movie that kicks off the summer movie season
is also a good indicator as to how the rest of the summer
will be. A cinematic groundhog’s day of sorts. There’ve been
times where I’ve been willing to endure a couple hours of
so-called entertainment as a trade-off to escape the sweltering
heat of summer in this city. If this movie is any kind of
gauge as to how the rest of this movie season will go down,
I think I’ll take the option of molting on my uncomfortable
couch.
This
message will self-destruct in 5 seconds and leave only a residual
wafting of Easter egg farts. Kind of like Mission: Impossible
3.
United
93


If
you talk to various people and ask them what they remember
from September 11th, 2001 when watching the news
and seeing black smoke billow out of the twin towers, they
might say the whole thing looked like a movie. They might
say the whole thing seemed more like Independence Day than
the morning news. Then there were those of us who were too
shocked to comprehend what a catastrophe like this would mean
throughout the following five years. This is not to mention
those for whom the deal didn’t sink in right away for as they
sat at the corner bar and asked themselves why, sipping
away on dollar drafts. I was in a daze myself that September
day, but I found the clarity to ask myself when a bad TV movie
depicting the whole upsetting thing would come out.
I’ll
admit that United 93 looked like it was commissioned
by The White House to drum up support for a war that makes
the cast of the audio-visual squad in a Bible-belt state look
like the cast of “Desperate Housewives.” Maybe we all needed
a reminder, and seeing a powerful re-enactment of the whole
thing would make us think that sending this country straight
to hell is actually worth it. Who knows? Maybe this movie
will actually make the president’s approval rating shoot up
to an acceptable level.
Well,
it took nearly five years, but here it is. United 93
tells the story of the hijacked flight that was meant to turn
George W’s rumpus room into an inferno, but ended up getting
taken down in the middle of Nowhere, PA. Thankfully, it’s
done pretty well, even with Paul Greengrass, director of The
Bourne Supremacy, behind the wheel. It accurately recaptures
the confused miscommunication and horror of the day in question.
No recognizable actors are used and thankfully it doesn’t
bother with character development or monologues about what
people wanted to do with the rest of their lives or their
kid’s little league game they’ll never get to see as they
look at pictures of their families and weep.
For
as much as the passengers of Flight 93 as well as those who
died in the World Trade Center and Pentagon attacks are respectfully
mourned and missed, I can’t help but think how this movie
didn’t need to get made, now or ever. How about this? How
about a movie where instead of a plane hitting the Pentagon
on 9/11 it was a missile. No burning engine fuel, no singed
papers flying around in the wind and not so much as a landing
gear getting extracted from the wreckage at the Pentagon.
Or
how about this? How about the idea of explosives being planted
in the twin towers? That’d make a hell of a movie. Because
everyone knows that engine fuel doesn’t burn hot enough to
melt the steel framework of a building. But explosives will
do the job. And while we’re at it, we can stick a remote transmitter
on the planes to set off those explosives after a certain
amount of time. This way when the buildings fall after an
hour or two (because those buildings can burn for a week straight
without falling) after we’ve had enough dramatic imagery,
they can fall straight down like it was a controlled demolition
job. You know, because it’s not like the building would actually
buckle over from where the planes hit, seeing as how the buildings
were so solidly constructed. Think about it. I haven’t.
RV


A
few days before I saw RV, the newest Robin Williams
movie, I saw Williams on a “Daily Show” appearance. He came
out, as usual, like he did eight lines backstage and started
going off on the Bush administration. Williams had an extended
dialogue going with Jon Stewart and admittedly the whole thing
was very amusing. However, there was one thing about the interview
that raised a red flag for me—Williams never talked about
the movie he was allegedly promoting.
Watching
RV, it was abundantly obvious to me why Williams never
so much as mentioned the movie in his conversation with Stewart.
It’s terrible! It’s a sorry rehash of National Lampoon’s
Vacation minus the humor. It’s a graduation party without
the money. Christmas without the presents. A high-maintenance
girlfriend without the shimmy-sham. A trip to grandma’s without
the apple pie. A hangover without the buzz and unacceptable
behavior. Bad gas without the enchiladas. A trip to the strip
club during skank shift. Rotten rotten rotten.
This
is not to say that RV has no place in the world. Of
course it does. If you’ve got ill-behaved kids, you can make
them watch this movie. Send a copy to Tom Cruise when it comes
out on DVD. Speaking of when RV comes out on DVD, it
would make a wonderful coaster. Expensive, but wonderful.
I’m sure that tying someone down Clockwork Orange-style
and making them watch every frame of RV with their
eyes clamped open would let them know how you feel about them.
Isn’t
Williams Jewish? I’ve never met a stupid Jew. He needs to
go back to temple. Maybe he needs to put on the rainbow suspenders
for inspiration. Where’s the Robin Williams I saw on the last
HBO special? The one who had to be hopped up on E, went through
72 gallons of water and had the energy of a box full of pissed
off kittens? Why can’t he be surly in his movies anymore?
Why does he have to play the husband to a wife and kids the
producers picked up on the Jersey turnpike spitting on windshields
for change and selling rotten fruit? Is it because Williams
is beginning to look like a shrunken apple head and it all
came together right then and there? RV is as small,
dank and loathsome as Williams’ career.
There
is just one thought I kept in my deteriorating mind that got
me through RV. It was thinking of Williams dressed
up in hip hop gear drinking Boone’s with Martin Mull. And
Mull saying every 3 minutes, “I’ve really got to go. I’ve
got to be there early to make the donuts.” Unfortunately I
made the mistake of leaving my flask in my back pocket, making
the fashioned hooch completely undrinkable. I didn’t catch
the elevator this time, but I definitely got the shaft. Although
I was inspired to write a letter to “Myth Busters” challenging
them to find out if Williams’ movie career is still alive.
At least that’s the urban legend.
Stick
It



A
review in two parts
Part
One: An Open Letter to Jeff Bridges
Dear
Jeff Bridges,
I
recently saw your latest movie, Stick It, and it left
me heartbroken. I wasn’t moved to tears because of some half-assed
storyline about a gymnast who gets back on her destined path,
but I was emotionally distraught because you were in it.
Why,
Mr. Bridges? Why? The reason I ask is because you were The
Dude in The Big Lebowski. That role alone earned you
the love and respect of thousands if not millions of followers.
The Dude showed us that everything could be okay with the
proper attitude and that nothing in this world was worth getting
bent out of shape over. Even if your best friend was clinically
retarded. You showed us that it was okay to listen to Creedence
Clearwater Revival and that bowling is actually both a physical
and philisophical exercise. And above all, you told us it
was possible to pay for a 69 cent container of half &
half with a check and get it on with a gorgeous redhead all
within the span of two hours. From the moment I saw that modern-day
masterpiece, a film among films, you had my undying respect
and unconditional platonic love. When the credits rolled,
I said to myself, “I would kill for Jeff Bridges.”
The
only reason I could think of as to why you would agree to
appear in Stick It would be for the money. Are things really
that bad? I’ll admit I know very little of your personal life,
but did your significant other kick you out? Did you have
nowhere to turn?
I
say this to you, Mr. Bridges: If you ever need anywhere to
go, you’ve always got a place in my home. Admittedly, I’ll
probably get bounced from my home because of it, but we can
find another place and I’ll support you. You can get your
head straight or do whatever you need to do and I will be
the wind beneath your wings, sir. Make no mistake, this is
not a Brokeback Invitation. My admiration for you is not without
its limits, but those limits are extreme. I just want you
to know that there is someone out here who will keep you from
going to the place that will not let you enter with your pride
intact. I’m here for you, Dude. We all are.
With
love and squalor,
Michael
J. Gildea
Part
Two: Maccio’s Birthday
In
life it’s best to balance out the negative with the positive.
Or the extraordinarily strange. I wasn’t looking forward to
seeing Stick It. Any movie that makes a point of pushing
the fact that it was done by the makers of Bring It On
is really scraping the resin out of the bowl. Going on trial
for crimes against humanity truly seemed more appealing, but
I got lucky this time. It just so happened that it was my
co-conspirator Tom Maccio’s birthday and he seriously wanted
to see Stick It because he heard “it had boobies.”
The man bangs amateur porn stars and he wants to see a teen-geared
movie because he heard a rumor that he’d see boobies. Given
the PG-13 rating, I had serious doubts that he’d get what
he anticipated, but I had an assignment from that human paraquat
of an editor of mine and I knew there were no other set of
circumstances under which I would see this movie.
Picking
up Maccio at his stately Lackawanna residence would be the
first major obstacle I would have to overcome, actually sitting
through the movie being the second. Adding this to the fact
I was doing this on his birthday would only strengthen the
challenge. Maccio’s one of those people who likes to be pampered
on his birthday. He had two ex-girlfriends over one year.
On his insistence, one hand-fed him grapes and the other fanned
him with an enormous leaf from a palm tree as they all watched
“Degrassi Jr. High” for the entirety of his special day. Fortunately,
Maccio never imposed such self-entitled and eccentric stipulations
on me, but that was not to say I was entirely off the hook.
When
I took advantage of Maccio’s open door policy, he was sitting
on his couch in the wraparound safety shades you often see
on senior citizens when they’re driving. He once told me they
“keep the pain out.” Maccio was also wearing a white speedo.
Yes, white. He was listening to Stravinsky and watching badly-lit
low-grade VHS ‘80s porn. Or maybe it was one of the DVDs with
no chapter selection. There was also a considerable amount
of ball scratching going on. I was used to that, given his
genetic handicap, but what disturbed me most was what was
on his coffee table. There was a bowl of edible underwear
in the middle. Also on display was a rye bread bowl with a
half-dollar-sized hole in the middle and about a dozen empty
cans of SoBe No Fear Gold scattered around the room. I remember
the last time Maccio drank too much of this piss. A motorcycle
drove by and he started writhing in pain, shrieking, “I got
dog ears, man! I got dog ears!” Last but not least was Festus,
the pet goldfish with piercings and an even worse attitude
than Maccio’s.
Surprisingly,
we made the movie on time, but what wasn’t surprising was
that Stick It was worse than catching chlamydia from
an overweight skank after a bender of non-alcoholic brew.
The majority of the cast looked like Tijuana bordello whores
who successfully shoplifted from American Eagle. I wept though
a majority of the movie (see Part One) and Maccio told me
to quit being such a buzzkill as he complained about the movie’s
soundtrack. “There’s no excuse including Down syndrome for
that level of musical incompetence,” he complained as he came
up with creative ways to take out members of the band Fall
Out Boy. We were loud, we were obnoxious. But no one messes
with the guy wearing the grandma shades because you’ve got
no idea what the hell’s behind them. And Stick It was
nowhere nearly a good enough movie to run that risk.
I
still for the life of me can’t figure out why Maccio wanted
to see a movie about an athlete who gets back on her path
after hanging out with a bunch of extreme sports miscreants.
Even he must have known there would be no boobies in a movie
that even teenagers don’t want to see. Did he want to reaffirm
the belief that there’s always hope? Did he want to freak
unsuspecting filmgoers out with his behemothic ways? I suspect
that he just wanted to push me to my limits under the convenient
guise of the anniversary of his spawning, but when I asked
him he just told me that gay people aren’t gay. “They’re just
bored.”